1 | Select sine, triangle, saw or pulse as the waveshape of generator 1. |
FM | Adjust the FM modulation ratio. Oscillator 2 acts as modulator; oscillator 1 acts as carrier. FM modulation is only possible when ring modulation is off. |
2 | Select triangle, saw, pulse or noise as the waveshape of generator 2. |
ring | Switch ring modulation (AM modulation) ON/OFF. When turned on, the output of oscillator 2 is subjected to ring modulation. |
track | Switch tracking of oscillator 2 ON/OFF. Tracking pitches the output according to the note number played. When turned off, sound is output at a uniform frequency. |
sync | Switch the sync function ON/OFF. When turned on, the phase of oscillator 2 is matched with the frequency of oscillator 1. |
pitch | Set the pitch of oscillator 2. |
fine | Minutely adjust the pitch of oscillator 2. |
m.env |
Switch the modulation envelope ON/OFF. When on, the follwing destination of modulation varies over time according to the settings of A, D and amt below. |
dest. | Select pitch of oscillator2, FM or pulse width as the destinaion of modulation env. |
A | Set the attack time of the modulation envelope. |
D | Set the decay time of the modulation envelope. |
amt | Set the amount of modulation variation when modulation envelope is on.
Right of the centre raises the amount, left of the centre lowers the amount.
The centre setting results in no modulation variation. |
key shift | Transposes the pitch of oscillator 1 and 2 corresponding to the number of the note played. |
p/w | Set the pulse width of the pulse wave. Turn left to narrow the width, turn right to widen it. Affects both oscillator 1 and 2. |
mix | Set the volume balance of oscillator 1 and 2. Turn left to increase the relative volume of oscillator 1, turn right to increase the relative volume of oscillator 2. |
tune | Minutely adjust the pitch of the oscillators. |
type | Select the filter type from low-pass (12 dB), low-pass (24 dB), high-pass (12 dB) or high-pass (24 dB). |
A | Set the attack time of the filter envelope. |
D | Set the decay time of the filter envelope. |
S | Set the sustain level of the filter envelope. |
R | Set the release time of the filter envelope. |
amt | Set the amount of variation induced by the envelope. Turn left to decrease the envelope, turn right to increase it. |
frq | Set the level of the cut-off frequency. |
res | Set the amount of resonance. |
sat | Set the amount of saturation. |
trk |
Set the sensitivity of the cutoff frequency tracking. Adjusts how much the cutoff frequency changes according to the note number played. Turned all the way to the right, the frequency changes an octave with a one octave change in the note number played (full). Turn all the way to the left to leave the frequency unchanged. |
vel | Select whether the amount of envelope variation changes according to the velocity of the note played. |
1 | Switch LFO1 ON/OFF. |
Left LCD | Select the waveshape of LFO1 from saw, triangle, sine, square, random(sample & hold) or random (smoothed). |
Left dst | Select the target of the LFO1 modulation from
oscillator 2 pitch, filter cut-off frequency, volume, oscillator 2 pulse width or FM. |
Left spd | Set the frequency of the LFO1 modulation. |
Left amt | Set the amount of modulation of LFO1. |
Left tempo | Sync to host sequencer tempo.(*1) |
Left key | Sync to key on. |
2 | Switch LFO2 ON/OFF. |
Right LCD | Select the waveshape of LFO2 from saw, triangle, sine, square, random(sample & hold) or random (smoothed). |
Right dst | Select the target of the LFO2 modulation from
oscillator 2 pitch, filter cut-off frequency, volume, oscillator 2 pulse width or FM. |
Right spd | Set the frequency of the LFO2 modulation. |
Right amt | Set the amount of modulation of LFO2. |
Right tempo | Sync to host sequencer tempo. |
Right key | Sync to key on. |
ON | Switch the arpeggiator ON/OFF. |
type |
Selects the method of arpeggiation from updown, up, down or random. Updown plays the input notes from the lowest to the highest and back down again. Up plays from the lowest note and up, down plays from the highest note and down. Random plays the input notes in a random sequence.
|
range | Selects the range of arpeggiation in octaves, ranging from 1 octave (1oct) to 4 octaves (4oct). |
beat | Selects the speed of arpeggiation from whole note to 1/32 note triplets. |
gate | Sets the length of each note. Turned all the way to the right, the notes sound without interruption, which is effective in combination with legato and portamento modes. |
mode |
Selects polyphonic, monophonic or legato mode. Polyphonic is the normal mode, enabling chord harmonies. Monophonic mode only enables a single voice, so chords cannot be played in this mode. Legato is similar to monophonic mode in that only one voice can be played at a time. It differs from monophonic mode in that when a note is played continuously, the VCO and VCA envelopes are not triggered, so that only the pitch changes.
|
p.b range | Set the range of pitch change when receiving a MIDI pitch bend signal. |
portament | Set the portamento time. Portamento changes the pitch of each voice towards the target pitch, over time from the moment the note has been input.
|
speed | Sets the sensitivity to information from a MIDI modulation wheel, triggering modulation of the frequency of LFO1. |
amt | Sets the sensitivity to information from a MIDI modulation wheel, triggering modulation of the amplitude of LFO1. |
unison | 「ポリボイス」時は2ボイス、「モノ/レガート」時は4ボイスを使って各ノートを発音します。
微妙にピッチのずれた音が重なるため、音に厚みがでます。 |
auto | 音が途切れないような演奏をした時にだけポルタメントを効かせる機能です。 |